Ongoing freelance editor for Cisco TV.

I also help with broadcasts and recordings functioning as Graphics Operator, Prompter, and Webex Coordinator.

sarahvoiceovers.com
• Home studio available for recording sessions
• Professionally trained with Voice Coaches, LLC

Partial list of credits:
• Fenton | MyChildCarePlan.org educational videos
Curbio | multiple promos
• VuePlanner | Explainer promo
• Eat Well Nashville | :30 Radio Spot
• Cisco TV | KubeCon Promo
• Cisco TV | in-house Mental Health Education video
• Zoning Media | Keeping The Lights On - COVID-19 short documentary
• DesignWorks Group | Abilene Teachers Federal Credit Union :30 Radio Spot
• Spinn Creative | Goodwill Industries :30 Radio Spot
• The Sean Ingram Academy | Introduction Video
• Allan Dye | Halloween Bloody Mary Animation
• Gospel For Asia | Winter Clothing Donation
• How To Fitness | How Intermittent Fasting Works
• National Geographic | Make This: Fidget Spinner | BOOK

Versatile voice for:
• Audiobooks
• Video narration
• Voicemail
• eLearning modules
• Radio commercials
• TV commercials

Editing related skills:
• Professional high quality video editing
• Media organization and management
• Prepping media for edit
• Multi-cam grouping
• Sync video to audio
• Log b-roll
• Scripting groups in AVID
• Importing music and stock and adding descriptions
• Organizing media in project
• Color correction in Premiere Pro
• Music and stock searches
• Simple sound design work and sound leveling
• Finalizing audio in Premiere Pro
• Troubleshooting technical difficulties
• Turnovers to sound and visual effects departments
• Creating deliverables for air on various platforms​
• Shared Google docs - Tracking ADR, music cues, and visual effects​
• Communication between departments

Soft Skills:
• Communication
• Problem Solving
• Adaptability
• Strong Work Ethic
• Dependability
• Teamwork
• Time Management

Video Editor responsibilities:
• Attend kick-off and preproduction meetings
• Edit raw footage, perform basic audio mixing, and perform basic color correction in Premiere Pro
• Create basic motion graphics in After Effects
• Address notes from project stakeholders
• Maintain media management and project management practices
• Update past videos with current branding and improvements with edits
• Stock and music searches

Head of Video Production responsibilities:
• POC for outside vendors and freelancers
• Producer role for both internal and external projects
• Establish project timelines and deadlines while working within established budget
• Assign necessary tasks to outside vendors or freelancers such as a graphics artist or videographers and provide feedback
• Update project workflows and maintain standards
• Offer advice to the marketing team when it comes to using outside vendors or production equipment
• Trouble-shoot technical issues or complications
• Assist in planning out preproduction and production for higher level projects
• Videographer as needed
• Work with the IT dept to create and maintain a media equipment inventory list
• YouTube refresh and YouTube maintenance

Video Editor and Producer roles

• Managed post production workflow and organization
• Pulled from interviews to create social media videos, testimonials, and in edit, decided how to present the footage, creating the flow of unscripted videos
• Created a notes document detailing our current media for the company to access and reference
• Created transcripts for all interviews and made them available for the content department
• Music and stock searches
• Point of contact with outside vendors and freelancers to bring projects to completion
• Hired freelance videographers for activities and shoot days

• Edited scenes and snap-ins on various episodes of "The Incredible Dr Pol" season 21
• Conducted formal training in assistant editor standard workflows to improve efficiency
• Created a document on assistant editor workflows for incoming and current employees to reference

Credits:
Additional Editing credit on The Incredible Dr Pol's Special 200th Episode
Sr Assistant Editor for The Incredible Dr Pol - seasons 19 and 20

I helped prep media for edit, edited cutdowns of stories included in episodes, added blurs, handled all locked episode turnovers to the sound dept and composers, trained others in post production workflows, and assisted with any other tasks that come up.

I was brought in on "The Incredible Dr Pol" to help the team catch up on media prep in time for the edits to begin. This led to a Re-occurring Senior Assistant Editor contract, then to a full time video editor position.

• Synced and grouped up to 25 cameras to audio
• Prepped media for edit
• Created cutdowns for editors
• Organized b-roll stringouts
• Troubleshoot technical difficulties
• Prepped locked cuts for turnover to sound dept and composers
• Laid in final voiceover narration
• Prepped sequences for deliverables/ created deliverables for air
• Created workflow documents with instructions for reference

My contract kept getting extended while I was there. I ended up working on multiple projects in various roles, ending up as an editor before my contract ended.

• May 20, 2019 - August 16, 2019: Editor prepping programs for streaming on Disney+
• February 4, 2019 - May 17, 2019: Junior Editor on Kids vs Plastic YouTube series
• December 2018 - February 1, 2019: Junior Editor prepping programs for streaming on Disney+
• May 2018 - October 2018: Assistant Editor/Junior Editor on multiple YouTube kids series

• Responsible for day-to-day management and support
• Created documents with step-by-step guides on company procedures and workflows
• Communicated via email and phone with clients regarding projects and inquiries
• Contacted actors to schedule remote and local Voice Over sessions
• Assisted in maintaining budget documents and project schedules
• Maintained Excel documents regarding client information, delivery specs, company information
• Contacted third party vendors for assistance with technical support
• Ordered office supplies and equipment as needed
• Ran company errands to the post office, deposit checks, pick up supplies
• Assistant Editor and Junior Editor tasks: created AVID and Premiere projects, imported and organized footage and graphics, edited, searched for music cue options, trouble shot edit systems, exported references for distribution, created AAFs and references for mix, and created deliverables

Credit:
Life In Pieces - Season 2

• Communicated with and provided material to employees/co-workers in different departments, such as the Video Editor, Post Coordinator and Post Supervisor, Producers, Visual Effects House, Online House, and Sound Department
• Prepared dailies: audio syncing, multi-cam grouping, marking groups, scripting scenes, organizing b-roll and stock footage
• Maintained project and media organization
• Prepped episode binders with daily reports from the Script Supervisor
• Updated shared Google Docs tracking ADR, visual effects, and music cues
• Exported and distributed reference videos for notes
• Laid in sound effects throughout full episodes
• Created temporary visual effects and graphics, such as split screens, green screens, lower thirds, graphics, and more
• Turned over AAFs, EDLs and video references to audio, visual effects, and online departments
• Reviewed visual effects with the AP and Post Supervisors and passed along detailed notes for revisions
• Edited scenes or gag reels

Credit:
Walk The Prank - Season 1

• Stepped in for the final two months to finish the season when an Assistant Editor needed to leave the contract early

Credit:
Make Me A Millionaire - Season 2

• Communicated with and provided material to employees/co-workers in different departments, such as the Video Editor, Post Coordinator and Post Supervisor, Producers, Visual Effects House, Online House, and Sound Department
• Prepared dailies: audio syncing, multi-cam grouping, marking groups, scripting scenes, organizing b-roll and stock footage
• Maintained project and media organization
• Prepped episode binders with daily reports from the Script Supervisor
• Updated shared Google Docs tracking ADR, visual effects, and music cues
• Exported and distributed reference videos for notes
• Laid in sound effects throughout full episodes
• Created temporary visual effects and graphics, such as split screens, green screens, lower thirds, graphics, and more
• Turned over AAFs, EDLs and video references to audio, visual effects, and online departments
• Reviewed visual effects with the AP and Post Supervisors and passed along detailed notes for revisions
• Edited scenes or gag reels

Credit:
Cooper Barrett's Guide To Surviving Life

• Communicated with and provided material to employees/co-workers in different departments, such as the Video Editor, Post Coordinator and Post Supervisor, Producers, Visual Effects House, Online House, and Sound Department
• Prepared dailies: audio syncing, multi-cam grouping, marking groups, scripting scenes, organizing b-roll and stock footage
• Maintained project and media organization
• Prepped episode binders with daily reports from the Script Supervisor
• Updated shared Google Docs tracking ADR, visual effects, and music cues
• Exported and distributed reference videos for notes
• Laid in sound effects throughout full episodes
• Created temporary visual effects and graphics, such as split screens, green screens, lower thirds, graphics, and more
• Turned over AAFs, EDLs and video references to audio, visual effects, and online departments
• Reviewed visual effects with the AP and Post Supervisors and passed along detailed notes for revisions
• Edited scenes or gag reels

Credits:
Other Space - Season 1
The Hotwives of Las Vegas - Season 2
Children's Hospital - Season 7

• Communicated with and provided material to employees/co-workers in different departments, such as the Video Editor, Post Coordinator and Post Supervisor, Producers, Visual Effects House, Online House, and Sound Department
• Prepared dailies: audio syncing, multi-cam grouping, marking groups, scripting scenes, organizing b-roll and stock footage
• Maintained project and media organization
• Prepped episode binders with daily reports from the Script Supervisor
• Updated shared Google Docs tracking ADR, visual effects, and music cues
• Exported and distributed reference videos for notes
• Laid in sound effects throughout full episodes
• Created temporary visual effects and graphics, such as split screens, green screens, lower thirds, graphics, and more
• Turned over AAFs, EDLs and video references to audio, visual effects, and online departments
• Reviewed visual effects with the AP and Post Supervisors and passed along detailed notes for revisions
• Edited scenes or gag reels

• Communicated with and provided material to employees/co-workers in different departments, such as the Video Editor, Post Coordinator and Post Supervisor, Producers, Visual Effects House, Online House, and Sound Department
• Prepared dailies: audio syncing, multi-cam grouping, marking groups, scripting scenes, organizing b-roll and stock footage
• Maintained project and media organization
• Prepped episode binders with daily reports from the Script Supervisor
• Updated shared Google Docs tracking ADR, visual effects, and music cues
• Exported and distributed reference videos for notes
• Laid in sound effects throughout full episodes
• Created temporary visual effects and graphics, such as split screens, green screens, lower thirds, graphics, and more
• Turned over AAFs, EDLs and video references to audio, visual effects, and online departments
• Reviewed visual effects with the AP and Post Supervisors and passed along detailed notes for revisions
• Edited scenes or gag reels

Credits:
Mystery Millionaire
Crazy Young Love
Slednecks

• Communicated with and provided material to employees/co-workers in different departments, such as the Video Editor, Post Coordinator and Post Supervisor, Producers, Visual Effects House, Online House, and Sound Department
• Prepared dailies: audio syncing, multi-cam grouping, marking groups, scripting scenes, organizing b-roll and stock footage
• Maintained project and media organization
• Prepped episode binders with daily reports from the Script Supervisor
• Updated shared Google Docs tracking ADR, visual effects, and music cues
• Exported and distributed reference videos for notes
• Laid in sound effects throughout full episodes
• Created temporary visual effects and graphics, such as split screens, green screens, lower thirds, graphics, and more
• Turned over AAFs, EDLs and video references to audio, visual effects, and online departments
• Reviewed visual effects with the AP and Post Supervisors and passed along detailed notes for revisions
• Edited scenes or gag reels

Credits:

Hangar 1: The UFO Files - Season 1/History Channel
Brides of Honor - Episode 1/Great American Country
Raising McCain - Season 1/ Pivot
Horseplayers - Season 1/Esquire
Live in Vern’s House - Pilot/ HGTV
Loredana, ESQ. - Season 1/Sundance
Homeless Millionaire - Pilot
Prescription Thugs - Pilot
DC Girls/The District - Pilot
Voices of America - Sizzle
Buffet Wars - Sizzle
Big Man Approved - Sizzle
Construction Cowboys - Sizzle
State Fair - Sizzle
Holy Divas - Sizzle
Capitol Construction - Sizzle

After training for 3 months, I worked on night shift programming the shows and monitoring the live feed. I quickly moved into Prime Time shift and began running live sports games daily on various networks throughout the country. Every network and producer works a little differently, so every day was an adjustment.

• I prepped for rain delays and technical difficulties.
• We were required to respond to any technical difficulties within 3 seconds and then communicate with the team in the trucks at the games as well as our supervisors so it could be fixed as soon as possible.
• I would prep and run the commercial breaks and count the producers back onto air.
• When live games weren't running, I would make sure the programming was as scheduled and then monitor it during my shift to ensure that it ran smoothly.

• Filmed, edited, and created Daily Morning Show by using a Panasonic Camcorder HPX170, Avid, Final Cut Pro, green screen, sound effects, and After Effects. Prepared updated show each day to be ready to view the following day.
• Filmed and created commercials for revenue partners onboard, guest entertainers, and for activities.
• Managed TV channels and updated programs/information per port.